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# Show notes
- URL: https://arts-of-the-working-class.ghost.io/text/show-notes/
- Published: 2022-03-08T00:00:00.000Z
- Updated: 2026-08-30T21:51:36.000Z
- Description: Deconstructed diary entries of a frenzied writer attending fashion shows in London, Milan and Paris.
- Author: Dal Chodha
- Tags: #silverstripe, #issue-20

These texts – originally published in SHOW NOTES (2020) – are the deconstructed diary entries of a frenzied writer attending fashion shows in London, Milan and Paris. Revised and rebooted from reports written over a period of three years, these reflections on clothes, stage sets and the language of PR insist on the authority of the word in an age possessed by the image. Recontextualised here, they are a reminder of the murky rhapsody of fashion – an industry that revels in the power of its iconography whilst distracting us from its truths.  
\*\*\*

what a boon  
for red, read blood  
a sense of dread, perhaps  
even self-loathing  
knowing shoulders  
engineered to twist  
around the torso  
a graphic wave jumper skew,  
a white plastic mac well worn  
the eradication of  
work/life balance  
forever running to the  
studio, walking to the gym  
hints of light grey, orange  
& blue on the canvas  
signature plastic  
tag in baby blue  
yet more merch

\*\*\*

what to wear in the wilderness  
the invitation arrives in a long thick box  
sandwiched between two thick pieces of white foam: a mini-Italian futurist bust  
the avant-garde desire to elevate the transgressive  
dirt as a counterpoint to glitter  
sometimes unsettling, the last in extreme elegance  
deep in the concrete crypt  
turned inside out  
models glide across the upper walkway of towering scaffolding  
the full height & width  
the epic symmetry  
in the harsh summer sunlight, models elevated & ethereal  
a sort of uniform, a symbol of evolution  
silk duchesse, cut large  
fitted high to the torso, crushing to the floor  
the same look  
lacquered 12 ounce denim in industrial black, blue & green  
the look blunt, rich in texture  
light sheer wool gazar washed & sun dried  
plastic tarp lurex tape woven on a metal warp  
a stiff plastic textile, future proof  
an agonisingly hot day in Paris

\*\*\*

what a boon  
for red, read blood  
a sense of dread, perhaps even self-loathing  
knowing shoulders  
engineered to twist around the torso  
a graphic wave jumper skew, a white plastic mac well worn  
the eradication of work/life balance  
forever running to the studio, walking to the gym  
hints of light grey, orange & blue on the canvas  
signature plastic tag in baby blue  
yet more merch

\*\*\*

a go-to uniform, an acting out against the norm  
an idiosyncratic riff on utility wear  
crossing over, walking fast & then slow  
a shower of tiny leaves bleached out  
the US military’s night camo  
an aesthetic comeback for summer  
poems by refugees on the walls of the Palazzo Pitti  
bold typographic art  
a sculptor who works with language  
to recode the familiar  
how the wearer attaches stories to clothes  
open to interpretation  
you choose!

\*\*\*

light  
deconstructed  
breezy beach town  
soft terrycloth  
fat corduroy  
lush velour  
easy  
pyjama style  
sun-bleached blues  
pinks  
wreathes of corals  
a short sleeved shirt appliquéd with seahorses  
wood

//

---

### IMAGE CREDITS

. Anthea Hamilton H is for Hairy Leg 2018 © Anthea Hamilton. Courtesy the artist, Thomas Dane Gallery and kaufmann repetto

*Dal Chodha is a London-based writer and editor-in-chief of Archivist Addendum – a publishing project that explores the gap between fashion editorial and academe. A lecturer at Central Saint Martins, he is a contributing editor at Wallpaper\* magazine. SHOW NOTES (2020) is available to buy at tenderbooks.co.uk.*