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Give color to circumstances.

Jean Carlos Azuos, Curador do Galpão Bela Maré, na favela Nova Holanda, Rio de Janeiro, faz um depoimento sobre o centro cultural fundado em 2011 - e hoje modelo de instituição artística fora das rotas hegemônicas na cidade.

How do we deal with this memoricide?

How can a museum of the colonizer project imagine futures that can heal the marks of the brutal colonial history it wishes to narrate?

Only a few years ago, the biennalization of the art world saw roaring, mass-scaled international art events taking place in all corners of the world.[2] Undoubtedly the then-celebrated emergence of the global-contemporary art scene flared hand-in-hand with the exponential growth of the massification or

Imagining the world after the pandemic.