During Oslo’s Art Weekend, Cecilia Vicuña’s “Minga for the Sea” opened with dissonance, bridged distances, and struggles for justice.
A review of “The Material Show” at MuseumsQuartier Freiraum, Vienna.
An interview with Samuel Leuenberger, curator of the 10th edition of Biennale Gherdëina, “(Future) Paradise Garden”.
Various Others 2026 brings renewed attention to contemporary art in the city.
On Koyo Kouoh’s 61st Venice Biennale, “In Minor Keys”
On Daniel Hopp's „Fictional Healing“, at Kunsthaus Hamburg.