Art

Tracing the cultural entanglements of East, West and the in-between.

The pioneering artist discusses the trajectory of her critical practice, misconceptions of art's social value and how to perform against far-right aesthetics.

On the artists' quest to connect the dots between different histories of struggle.

The Pink Panther has become a symbol of the COVID-19 pandemic. At least for Simon Fujiwara. The Pink Panther can do everything, can represent everything, because it can’t talk.

It can be difficult to get a sense of one’s own era. It’s too vast, and we stand too close to it, especially now. Even if we have a name to call it by. “The New Serenity”—you can repeat that to yourself as much as you like,

Our era is the one where competition was finally forgotten, Morozov reminds us. This itself is something we tend to forget, living “serenely”, as people like to say, in our world now, embedded as it is in a logic whose scaling-up was once unthinkable. Indeed, it is perhaps important